Anda Mencari Biro Jasa Konsultan ISO 9001 di Kalimantan Kami Solusinya Hubungi : 0857 1027 2813 konsultaniso9001.net adalah Jasa Konsultan ISO 9001, Consultant ISO 14001, Konsultan ISO 22000, OHSAS 18001, Penyusunan Dokumen CSMS-K3LL, K3, ISO/TS 16949,Dll yang BERANI memberikan JAMINAN KELULUSAN & MONEYBACK GUARANTEE ( Tanpa Terkecuali ) yang tertuang dalam kontrak kerja. Sebagai Konsultan ISO dan HSE TERBAIK dan BERPENGALAMAN kami siap membantu perusahaan bapak dan ibu dalam membangun sistem manajemen ISO dan HSE dengan pendekatan yang sistematis tanpa ribet dengan tujuan bagaimana sistem ISO tersebut bisa bermanfaat bagi perkembangan perusahaan serta menjadi pondasi yang kuat untuk kemajuan perusahaan.

Biro Jasa Konsultan ISO 9001 di Kalimantan Melalui berbagai TRAINING ISO yang diselenggarakan menggunakan Metode Accelerated Learning, sehingga Karyawan Dipacu untuk lebih aktif dalam pembelajaran sehingga dapat menerapkan Sistem ini dengan Baik Nantinya. Biro Jasa Konsultan ISO 9001 di Kalimantan

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Konsultan ISO 9001 | Biro Jasa Konsultan ISO 9001 di Kalimantan

Jasa Pelatihan ISO 9001 Terbaik dan Berpengalaman di Pamekasan

Jasa Pelatihan ISO 9001 Terbaik dan Berpengalaman di Pamekasan | Hubungi : 0857 1027 2813 PT Bintang Solusi Utama adalah Jasa Konsultan ISO 9001, Consultant ISO 14001, Konsultan ISO 22000, OHSAS 18001, Penyusunan Dokumen CSMS-K3LL, K3, ISO/TS 16949,Dll yang BERANI memberikan JAMINAN KELULUSAN & MONEYBACK GUARANTEE ( Tanpa Terkecuali ) yang tertuang dalam kontrak kerja. Sebagai Konsultan ISO dan HSE TERBAIK dan BERPENGALAMAN kami siap membantu perusahaan bapak dan ibu dalam membangun sistem manajemen ISO dan HSE dengan pendekatan yang sistematis tanpa ribet dengan tujuan bagaimana sistem ISO tersebut bisa bermanfaat bagi perkembangan perusahaan serta menjadi pondasi yang kuat untuk kemajuan perusahaan. Jasa Pelatihan ISO 9001 Terbaik dan Berpengalaman di Pamekasan

saco-indonesia.com, Membuat video untuk disajikan di YouTube sebenarnya tidaklah sulit. Yang dibutuhkan hanyalah latihan dan beberapa petunjuk (tip)

Membuat video untuk disajikan di YouTube sebenarnya tidaklah sulit. Yang dibutuhkan hanyalah latihan dan beberapa petunjuk (tip) singkat dari ahlinya.

Salah satu ahli yang gemar membagikan petunjuk pembuatan video adalah Dennis Adhiswara. Ia adalah aktor, pembuat film, dan CEO Layaria, sebuah organisasi di mana para insan kreatif Indonesia berkumpul, berkolaborasi, dan berkreasi lewat medium web series.

Layaria merupakan salah satu YouTube partner di Indonesia.

Berikut 5 petunjuk untuk membuat video online.

1. Buatlah topik yang disukai. Bila sedang mencari ide, tanyalah pada diri sendiri: "Jika saya ada uang, apa yang akan dilakukan?". Pertanyaan ini merupakan latihan untuk mengetahui passion atau kegemaran sebenarnya. Jika membuat video yang tidak disuka, untuk apa harus repot-repot membuatnya?

2. Sharing is caring. Jika memiliki beberapa keterampilan, seperti memasak, merajut, dan menggambar, dan ingin di- sharing dengan penonton nasional atau global, jangan ragu, bagikanlah. Buatlah video yang sederhana dan secara terus menerus, - jangan berhenti!

3. Jangan takut dengan komentar negatif. Benar, tidak ada ide asli yang tersisa di dunia ini. Benar, kita harus memiliki sesuatu yang berbeda di video kita. Benar, sudah ada jutaan tutorial  memasak.  Namun, itu bukan alasan untuk tidak membuat video sendiri yang berkualitas dengan pendapat dan pandangan unik Anda. Ada yang akan benci tapi di internet itu sudah biasa.

4. Lebih hemat. Tidak diperlukan kamera kelas studio mahal untuk membuat saluran di YouTube sendiri. Bahkan webcam HD sederhana murah meriah sudah cukup. Pastinya, peralatan tersebut dapat di-upgrade di kemudian hari.

5. Berkolaborasi. Ini adalah keindahan Youtube: pengguna dapat berkolaborasi dengan penonton dan bahkan para ahli. Dapatkan lebih banyak pengalaman dan pengetahuan dengan mengundang penonton setia.  Kalau mau, terimalah permintaan atau ide-ide mereka. Lebih baik lagi, buatlah video bersama mereka.

TIPS RAHASIA: Menghasilkan uang dari Youtube. Sekarang semua pembuat konten di Indonesia bisa menghasilkan uang berdasarkan berapa banyak tampilan videonya ditonton. Sebenarnya cukup sederhana, tapi tidak banyak orang menyadarinya. Jika ingin mempelajari lebih lanjut, klik tombol 'partners' di bagian bawah situs utama Youtube.

Adv : jasa pembuatan website di jakarta

Jadi, tunggu apa lagi langsung saja anda menuju sumber artikel dan mempelajari tehnik cara meningkatkan penjualan online yang ka

Jadi, tunggu apa lagi langsung saja anda menuju sumber artikel dan mempelajari tehnik cara meningkatkan penjualan online yang kami bagikan tersebut. Harapan kami semoga memang benar-benar ampuh untuk mempromosikan produk anda secara online.

Nah supaya anda tidak penasaran bagaimana cara meningkatkan penjualan online dengan menggunakan fasilitas facebook commerce ini maka kami mengajak anda untuk berkunjung dan membaca artikel kami dimana telah kami sertakan tautannya pada tulisan singkat kami di group ini.

Ketika kita berbicara tentang bisnis, entah itu bisnis online maupun offline, agen pulsa termurah, strategi marketing yang baik akan sangat berandil besar dalam kemajuan bisnis tersebut. Nah untuk i bisnis online, tentu saja marekting online yang baik lah yang akan menentukan kemajuan bisnis online tersebut.

Trik bagaimana cara meningkatkan penjualan secara online ini adalah sebuah fasilitas yang diadakan oleh lakubgt, yaitu facebook commerce. Facebook commerce ini adalah sebuah toko online di lakubgt yang terintegrasi dengan facebook sebagai sosial media paling besar di dunia.

Fullmer, who reigned when fight clubs abounded and Friday night fights were a television staple, was known for his title bouts with Sugar Ray Robinson and Carmen Basilio.

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United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

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Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

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