Anda Mencari Tempat Jasa Konsultan ISO 9001 Murah di Lamongan Kami Solusinya Hubungi : 0857 1027 2813 konsultaniso9001.net adalah Jasa Konsultan ISO 9001, Consultant ISO 14001, Konsultan ISO 22000, OHSAS 18001, Penyusunan Dokumen CSMS-K3LL, K3, ISO/TS 16949,Dll yang BERANI memberikan JAMINAN KELULUSAN & MONEYBACK GUARANTEE ( Tanpa Terkecuali ) yang tertuang dalam kontrak kerja. Sebagai Konsultan ISO dan HSE TERBAIK dan BERPENGALAMAN kami siap membantu perusahaan bapak dan ibu dalam membangun sistem manajemen ISO dan HSE dengan pendekatan yang sistematis tanpa ribet dengan tujuan bagaimana sistem ISO tersebut bisa bermanfaat bagi perkembangan perusahaan serta menjadi pondasi yang kuat untuk kemajuan perusahaan.

Tempat Jasa Konsultan ISO 9001 Murah di Lamongan Melalui berbagai TRAINING ISO yang diselenggarakan menggunakan Metode Accelerated Learning, sehingga Karyawan Dipacu untuk lebih aktif dalam pembelajaran sehingga dapat menerapkan Sistem ini dengan Baik Nantinya. Tempat Jasa Konsultan ISO 9001 Murah di Lamongan

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Konsultan ISO 9001 | Tempat Jasa Konsultan ISO 9001 Murah di Lamongan

Jasa Training ISO 27001 Terbaik dan Berpengalaman di Mataram

Jasa Training ISO 27001 Terbaik dan Berpengalaman di Mataram | Hubungi : 0857 1027 2813 PT Bintang Solusi Utama adalah Jasa Konsultan ISO 9001, Consultant ISO 14001, Konsultan ISO 22000, OHSAS 18001, Penyusunan Dokumen CSMS-K3LL, K3, ISO/TS 16949,Dll yang BERANI memberikan JAMINAN KELULUSAN & MONEYBACK GUARANTEE ( Tanpa Terkecuali ) yang tertuang dalam kontrak kerja. Sebagai Konsultan ISO dan HSE TERBAIK dan BERPENGALAMAN kami siap membantu perusahaan bapak dan ibu dalam membangun sistem manajemen ISO dan HSE dengan pendekatan yang sistematis tanpa ribet dengan tujuan bagaimana sistem ISO tersebut bisa bermanfaat bagi perkembangan perusahaan serta menjadi pondasi yang kuat untuk kemajuan perusahaan. Jasa Training ISO 27001 Terbaik dan Berpengalaman di Mataram

DETIK-DETIK WAFATNYA NABI MUHAMMAD SAW : Sebelum malaikat Izrail diperintah Allah SWT untuk mencabut nyawa Nabi Muhammad SAW, Allah SWT berpesan kepada malaikat Jibril. “Hai Jibril, jika kekasih-Ku menolaknya, laranglah Izrail melakukan tugasnya!” Sungguh berharganya manusia yang satu ini yang tidak lain adalah Nabi Muhammad SAW.

DETIK-DETIK WAFATNYA NABI MUHAMMAD SAW ::

Sebelum malaikat Izrail diperintah Allah SWT untuk mencabut nyawa Nabi Muhammad SAW, Allah SWT berpesan kepada malaikat Jibril. “Hai Jibril, jika kekasih-Ku menolaknya, laranglah Izrail melakukan tugasnya!” Sungguh berharganya manusia yang satu ini yang tidak lain adalah Nabi Muhammad SAW.

Di rumah Nabi Muhammad SAW, Tiba-tiba dari luar pintu terdengar seorang yang berseru mengucapkan salam. “Bolehkah saya masuk?” tanyanya. Tapi Fatimah tidak mengizinkannya masuk sambil berkata, “Maafkanlah, ayahku sedang demam” kata Fatimah yang membalikkan badan dan menutup pintu. Kemudian Fatimah kembali menemani Nabi Muhammad SAW yang ternyata sudah membuka mata dan bertanya pada Fatimah, “Siapakah itu wahai anakku?”. “Tak tahulah ayahku, sepertinya orang baru, karena baru sekali ini aku melihatnya” tutur Fatimah lembut.

Lalu, Rasulullah menatap puterinya dengan pandangan yang menggetarkan. Seolah-olah bahagian demi bahagian wajah anaknya itu hendak dikenang. “Ketahuilah wahai anakku, dialah yang menghapuskan kenikmatan sementara, dialah yang memisahkan pertemuan di dunia. Dialah malaikatul maut” kata Rasulullah, Fatimah pun menahan ledakan tangisnya. Malaikat maut pun datang menghampiri, tapi Rasulullah menanyakan kenapa Jibril tidak ikut bersama menyertainya.

Kemudian dipanggillah Jibril yang sebelumnya sudah bersiap di atas langit dunia menyambut ruh kekasih Allah SWT dan penghulu dunia ini. “Jibril, jelaskan apa hakku nanti di hadapan Allah?” Tanya Rasululllah dengan suara yang amat lemah. “Pintu-pintu langit telah terbuka, para malaikat telah menanti ruhmu. Semua surga terbuka lebar menanti kedatanganmu” kata malaikat Jibril.

Tapi itu ternyata tidak membuat Rasulullah lega, matanya masih penuh kecemasan. “Engkau tidak senang mendengar khabar ini?” Tanya Jmalaikat ibril lagi. “Kabarkan kepadaku bagaimana nasib umatku kelak?” “Jangan khawatir, wahai Rasul Allah, aku pernah mendengar bahwa Allah berfirman kepadaku: Kuharamkan surga bagi siapa saja, kecuali umat Muhammad telah berada di dalamnya” kata malaikat Jibril. Detik-detik semakin dekat, saatnya malaikat Izrail melakukan tugasnya. Perlahan ruh Rasulullah ditarik.

Nampak seluruh tubuh Rasulullah bersimbah peluh, urat-urat lehernya menegang. “Jibril, betapa sakit sakaratul maut ini.” Perlahan Rasulullah mengaduh. Fatimah terpejam, Ali yang di sampingnya menunduk semakin dalam dan Jibril memalingkan muka. “Jijikkah kau melihatku, hingga kau palingkan wajahmu Jibril?” Tanya Rasulullah pada Malaikat pengantar wahyu itu. “Siapakah yang sanggup, melihat kekasih Allah direnggut ajal” kata Jibril.

Sebentar kemudian terdengar Rasulullah mengaduh, karena sakit yang tidak tertahankan lagi. “Ya Allah, dahsyat sekali maut ini, timpakan saja semua siksa maut ini kepadaku, jangan pada umatku” Badan Rasulullah mulai dingin, kaki dan dadanya sudah tidak bergerak lagi. Bibirnya bergetar seakan hendak membisikkan sesuatu, Ali mendekatkan telinganya. “Uushiikum bis-shalaati, wamaa malakat aimaanukum (peliharalah shalat dan peliharalah orang-orang lemah di antaramu)”.

Di luar, pintu tangis mulai terdengar bersahutan, sahabat saling berpelukan. Fatimah menutupkan tangan di wajahnya, dan Ali kembali mendekatkan telinganya ke bibir Rasulullah yang mulai kebiruan. “Ummatii, ummatii, ummatiii! (Umatku, umatku, umatku)”. Dan, berakhirlah hidup manusia yang paling mulia yang memberi sinaran itu. Allaahumma sholli ‘alaa Muhammad wa’alaihi wasahbihi wasallim.

Ya Allah, Berikanlah untuk Muhammad “al wasilah” (derajat) dan keutamaan. Dan tempatkanlah ia di tempat terpuji sebagaimana yang telah Engkau janjikan”. Betapa mendalam cinta Rasulullah kepada kita ummatnya, bahkan diakhir kehidupannya hanya kita yang ada dalam fikirannya. Sakitnya sakaratul maut itu tetapi sedikit sekali kita mengingatnya bahkan untuk sekedar menyebut namanya.

Maulana Lee (galipat)

Terdakwa mantan Deputi Bidang IV Pengelolaan Aset dan Moneter Bank Indonesia (BI), Budi Mulya telah membantah sebagai pihak yang memutuskan pemberian Fasilitas Pinjaman Jangka Pendek (FPJP) kepada Bank Century.

Terdakwa mantan Deputi Bidang IV Pengelolaan Aset dan Moneter Bank Indonesia (BI), Budi Mulya telah membantah sebagai pihak yang memutuskan pemberian Fasilitas Pinjaman Jangka Pendek (FPJP) kepada Bank Century.

Sebagaimana, yang telah didakwaan oleh jaksa penuntut umum KPK. Dalam eksepsi yang telah dibacakan oleh penasehat hukumnya, Luhut Pangaribuan telah menyatakan dalam dakwaan disebutkan kalau Budi selaku Deputi Gubernur BI telah menyalahgunakan wewenang dalam jabatannya secara bersama-sama dengan Boediono selaku Gubernur BI.

"Siti Fadjriah selaku Deputi Gubernur Bidang VI, mantan Deputi Bidang VII, Budi Rochadi,Robert Tantular, dan Harmanus H Muslim telah memberikan FPJP kepada Bank Century Rp689 miliar," ujarnya saat membacakan eksepsi di Pengadilan Tipikor Jakarta, Kamis (13/3/2014).

Sekaligus telah menetapkan bank tersebut sebagai bank gagal berdampak sistemik. Padahal, bank itu tidak memenuhi persyaratan untuk mendapatkan FPJP. Tetapi, tetap diusahakan dengan merubah aturan.

Bedasarkan dakwaan diatas, menurut Luhut, dakwaan itu adalah menyetujui pemberian FPJP dengan merubah aturan.

"Padahal terdakwa tidak memiliki kewenangan itu. Dakwaan itu juga tidak dapat menguraikan secara detil apa yang dilakukan terdakwa," tandasnya.

Dalam hal ini, menurut Luhut, dakwaan yang dilayangkan kepada Budi adalah sumir.

A former member of the Boston Symphony Orchestra, Mr. Smedvig helped found the wide-ranging Empire Brass quintet.

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United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

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Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

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